Thanks for reading!
(2 C More Art go to www.the mindscapeartfoundry.com or www.artoflylepolyak.com)
Showing posts with label Adobe Photoshop. Show all posts
Showing posts with label Adobe Photoshop. Show all posts
Sunday, September 9, 2012
In the news again!
In early July, Pinellas County artists were invited by The County and The Florida Gulf Coast Center For Fishing to enter their creative works for selection as the official Pinellas County Centennial Poster. The winning image was fated to be used as official art for the September 14th Celebration of The County's hundred years of existence. Participants were invited to submit interpretations that serve to reflect the rich heritage and unique history of Pinellas County. It gives me great pleasure to announce that my own submission titled "Timeline Pinellas" will be used for this purpose and recently appeared on the front page of the Pinellas Park Beacon.
Wednesday, August 1, 2012
Pinellas County Centennial Poster
In early July, Pinellas County artists were invited by The County and The Florida Gulf Coast Center For Fishing to enter their creative works for selection as the official Pinellas County Centennial Poster. The winning image was fated to be used as official art for the September 14th Celebration of The County's hundred years of existence. Participants were invited to submit interpretations that serve to reflect the rich heritage and unique history of Pinellas County. It gives me great pleasure to announce that my own submission titled "Timeline Pinellas" will be used for this purpose.
With symbolic imagery, "Timeline" (featured above) expounds upon the historical events and peoples who have called Pinellas County "home." The color scheme of the poster is an allusion to the colors of the Pinellas Logo. At the bottom of the poster, a Native American, representing a member of Pinellas's Tocobaga Tribe (who called the area home in the 1500's to 1700's) looks out of the poster at the viewers. Above him a tall ship flies the Spanish Colonial Flag, representing the era of the Panfilode Narvaez Expedition and the Spanish Conquistadors who landed in the spring of 1528. Nearby, a period sailor looks through his telescope to the image of an orange, symbolic of the citrus industry which will later bring rail and commerce to our county. This same orange is playfully inserted as the sun icon, which is a component of the Pinellas Logo to the left. The logo overlooks a fisherman, alluding to the area's fishing rancheros of the 1700's, and his line dances across the sky carrying our eyes to the train, alluding to the rail industry of the 1800's and the vacationers alluding to the tourist boom of the 1900's. Modern day Saint Petersburg lies at the forefront of the poster.
I would like to express my gratitude and thank the judges for affording me this great success. I hope this may be serve as a gateway to many more wonderful projects.
Thank you all.
Lyle Polyak
With symbolic imagery, "Timeline" (featured above) expounds upon the historical events and peoples who have called Pinellas County "home." The color scheme of the poster is an allusion to the colors of the Pinellas Logo. At the bottom of the poster, a Native American, representing a member of Pinellas's Tocobaga Tribe (who called the area home in the 1500's to 1700's) looks out of the poster at the viewers. Above him a tall ship flies the Spanish Colonial Flag, representing the era of the Panfilode Narvaez Expedition and the Spanish Conquistadors who landed in the spring of 1528. Nearby, a period sailor looks through his telescope to the image of an orange, symbolic of the citrus industry which will later bring rail and commerce to our county. This same orange is playfully inserted as the sun icon, which is a component of the Pinellas Logo to the left. The logo overlooks a fisherman, alluding to the area's fishing rancheros of the 1700's, and his line dances across the sky carrying our eyes to the train, alluding to the rail industry of the 1800's and the vacationers alluding to the tourist boom of the 1900's. Modern day Saint Petersburg lies at the forefront of the poster.
I would like to express my gratitude and thank the judges for affording me this great success. I hope this may be serve as a gateway to many more wonderful projects.
Thank you all.
Lyle Polyak
(2 C more art go to www.themindscapeartfoundry.com or www.artoflylepolyak.com)
Saturday, May 5, 2012
"Givin' you the bird." (No, no. Not that way.)
My classes in Adobe Photoshop continue with lessons in clipping masks and artistic manipulation of photos. It's to my benefit that my homework offers me additional prints to add to my gallery online. The classes I'm taking at Saint Petersburg College are less lectures than real-world exercises that graphic artists would accomplish for design corporations and advertisement industries worldwide. Last Thursday, I edited a restaurant ad, using multiple images, to create a puppy dreaming of chicken curry, and utilized a few vacation photos, with clipping masks, to make a convincing Hawaiian postcard.
Later, I applied these same methods to a few images of mine. On my latest trip to Walter Fuller Park I captured a very nice image of a juvenile ibis, a common seabird in my area that has a thin, curved peak. While the image of the bird was impressive and crisp, the surrounding mud flats, murky waters and lichens combined into palate of nauseating hues. Well, I did manage to apply a clipping mask to Mister Ibis and remove him from his surroundings. and then I located a simple snapshot from Fort Desoto Beach to apply behind him. After a bit of tweaking, and multiple Photoshop layers, Mister Ibis developed a blurred shadow, some selective color fading and Gaussian blur to suggest that he was on that beach, in the sun, all the while.
Thanks for reading!
(2 C More Art go to www.artoflylepolyak.com or www.themindscapeartfoundry.com)
Later, I applied these same methods to a few images of mine. On my latest trip to Walter Fuller Park I captured a very nice image of a juvenile ibis, a common seabird in my area that has a thin, curved peak. While the image of the bird was impressive and crisp, the surrounding mud flats, murky waters and lichens combined into palate of nauseating hues. Well, I did manage to apply a clipping mask to Mister Ibis and remove him from his surroundings. and then I located a simple snapshot from Fort Desoto Beach to apply behind him. After a bit of tweaking, and multiple Photoshop layers, Mister Ibis developed a blurred shadow, some selective color fading and Gaussian blur to suggest that he was on that beach, in the sun, all the while.
Thanks for reading!
(2 C More Art go to www.artoflylepolyak.com or www.themindscapeartfoundry.com)
Saturday, March 31, 2012
Mission Accomplished
I've really been getting onto Adobe Photoshop quite a bit these past few weeks. My official Photoshop training starts this week, but I love to experiment to see what tools do what. Let me tell you about the artwork below, which will appear for the month of April at Park Station. This is my first experiment with Photoshop CS5...
The Goal: Use a disposable photo and a pencil sketch to create a fresh "pseudo-real" artwork.
The Photo: This image was taken during a fall festival at Heritage Village. The old train station was one of the few buildings not being used for reenactments and the abandoned structure urged me to capture it's image. With little action, the old platform was not a gallery-worthy shot but has been a great reference for wood grain and trees.
The Sketch: Originally a pencil sketch of a young painter with windswept hair, the sketch became the foundation of a self-contained figure who meshed nicely with the perspective of the old train station.
Step one - The original pencil sketch was scanned into my PC and loaded in Photoshop. A transparent over-layer was applied and used to draw the outlines with the pen tool.
Step two - Editing. removing the original, edits were made to the outline. The flowing hair didn't look realistic and was replaced by a shorter sporty cut. The curvature of the legs and arms was re-done to give a more appealing image.
Step three - Base colors were added and then given highlights and low-lights with the airbrush tool. Multiple texture filters were added to the clothing to create a denim texture and ripples.
Step four - Using the train station photo as a guide a "high pass" layer was created and used to generate an outline of the scene. Then a slightly brighter color scheme was used along with the watercolor filter to generate a new background.
Step five - A small sketch of an easel was found and used with another photograph with good wood-grains to generate an easel for our painter. The same watercolor filter was applied to mesh it with the background. Fan brushes were drawn in manually.
Step six - After a Gaussian blur was applied to the edges of each figure the multiple layers were re sized, merged and given drop shadows to create a final image.
Conclusion: The end product is meant to flow from the caricature of the painter, through the easel, to the pseudo-reality of the watercolor train station in a manner that compliments the whole work. This is meant to suggest that the image on the painter's canvas is the watercolor we see as a backdrop.
The Goal: Use a disposable photo and a pencil sketch to create a fresh "pseudo-real" artwork.
The Photo: This image was taken during a fall festival at Heritage Village. The old train station was one of the few buildings not being used for reenactments and the abandoned structure urged me to capture it's image. With little action, the old platform was not a gallery-worthy shot but has been a great reference for wood grain and trees.
The Sketch: Originally a pencil sketch of a young painter with windswept hair, the sketch became the foundation of a self-contained figure who meshed nicely with the perspective of the old train station.
Step one - The original pencil sketch was scanned into my PC and loaded in Photoshop. A transparent over-layer was applied and used to draw the outlines with the pen tool.
Step two - Editing. removing the original, edits were made to the outline. The flowing hair didn't look realistic and was replaced by a shorter sporty cut. The curvature of the legs and arms was re-done to give a more appealing image.
Step three - Base colors were added and then given highlights and low-lights with the airbrush tool. Multiple texture filters were added to the clothing to create a denim texture and ripples.
Step four - Using the train station photo as a guide a "high pass" layer was created and used to generate an outline of the scene. Then a slightly brighter color scheme was used along with the watercolor filter to generate a new background.
Step five - A small sketch of an easel was found and used with another photograph with good wood-grains to generate an easel for our painter. The same watercolor filter was applied to mesh it with the background. Fan brushes were drawn in manually.
Step six - After a Gaussian blur was applied to the edges of each figure the multiple layers were re sized, merged and given drop shadows to create a final image.
Conclusion: The end product is meant to flow from the caricature of the painter, through the easel, to the pseudo-reality of the watercolor train station in a manner that compliments the whole work. This is meant to suggest that the image on the painter's canvas is the watercolor we see as a backdrop.
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